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Rocks

#allthatglitters – dreams of fortunes

With dreams of fortunes and fool’s gold, dynamic crystalline geometries both reflective and translucent, rocks provide a fascinating subject to study.  Holding a piece of rock is akin to holding the earth’s history in your hands, and it can be imagined as a whole mountain range in miniature. I find it very difficult to describe rocks visually. They hold a fascination for me, and I regularly seek out examples of other artists’ work for inspiration.

Paintings of rocks
Two sketches of rocks on a hillside in the Aegean region of Turkey made in 2009 for a larger painting when I have decided the direction to take. [Cat: 506 Rocks in shade, 2009, Acrylic on board, 297 x 420 mm] [Cat: 506 Rocks in sunlight, 2009, Acrylic on board, 297 x 420 mm]
Rocks is part of a series of works inspired by nature. While they provide life-long sources of interest, these subjects ultimately form the basis of my abstract paintings which are both hard-edged and yet fluid in appearance. Rocks tells the story of the earth’s origins through their faceted shapes and multiple forms, from tiny gemstones to imposing granite rock faces.

Abstract rock image
Early thoughts about an abstract direction, 2009. [Cat: 722 Flat Rocks, 2009, Digital, 400 x 400 mm]
Rocks study
This is the idea that I am currently working on which will be visualised in 3D, 2013. [Cat: 723 Rock Block, 2013, Digital, 250 x 400mm]

Trees

#solesurvivors – exploring isolation

A single tree silhouetted on the skyline is a trope of loneliness, but that does not diminish the power of such an image as a single tree is the sole survivor of a onetime forest. Trees do not grow in isolation; they are social beings that benefit from being in numbers, and we mammals have a close association and long-standing interdependence with them, as it was their early presence on the planet that exchanged the carbon-filled atmosphere for life-giving oxygen.

It is this close relationship that I like to explore in my studies of trees, bark, leaves and forests.

Olive Tree South
Olive Tree South: An old olive tree growing near the coast, its boughs swept into an elaborate ‘hair style’ by the prevailing winds – July 2004 – 40 x 30 cm / 16″ x 12″ [Cat:730]
Trees is part of a series of works inspired by nature. While they provide life-long sources of interest, these subjects ultimately form the basis of my abstract paintings which are both hard-edged and yet fluid in appearance. Trees focuses on the endless variety in our woodlands and forests, constantly changing in form and appearance throughout the year.

Open Hearted Tree:
Open Hearted Tree: A tree, its trunk completely hollowed out and yet continuing to support a healthy crown of leaves – June 2016 – 40 x 30 cm / 16″ x 12″ [Cat:733]

Reliquaries, container of divine power

#relicsandreliquaries -certainty of power

Otherwise unremarkable objects, a nail, a splinter of wood or a square of linen are imbued with the power to heal and mend broken lives by faith and their sumptuous presentation. There is an irony between the mundanity of the object, a nail, and the gold, emeralds, pearls and rubies that surround it, suggesting the uncertainty of power.

I think I can use this ‘objective irony’ to good effect in an artwork.

Comparison of monstrances for reference
Research photography for the Saville project [Cat: 08/015, Comparison of monstrances for reference, 6 mp / 5312 x 2988 pixel, Digital Photography, 2017]

Stairs – suspense and surprise

#betweenworlds – ascending and descending

The geometry of stairs in all their fascinating varieties – sharp and steep leading down to a cellar or sweeping upwards to a grand hall – always provides a tantalising prelude to what is hidden from view. They are still, silent, inanimate, yet hold the possibility of suspense and surprise.

Stairs, landing and door in silver grey
Stairs, landing and door in silver grey [Cat: 0015, Stairs # 03, 16 x 16″ / 40 x 40 cm, Giclee Print, 2007]
I have treated the subject in several different ways in my work and will continue to explore other avenues to feed my fascination with stairs, hallways and passages.

In my latest works I have added people to the scenes to see how they react to this intriguing environment.

Pas de Calais

#weatheredlandscape – elemental sculpture

Coastal regions where gales often lash the landscape have a character of their own, and one particular favourite is the Pas de Calais where the trees that have survived have bent to the prevailing winds. Trying to capture this landscape without taming it provides an intriguing challenge.

Autumn landscape photography
Autumn landscape photography [Cat: 16/100, Tree Lined Road, 1 mp / 769 x 576 pixel, Digital Photography, 2004]

Natural Forms

#sourceofabstraction – the boundary between

Natural Forms is part of a series of works inspired by nature. While they provide life-long sources of interest, these subjects ultimately form the basis of my abstract paintings which are both hard-edged and yet fluid in appearance. Natural Forms focuses on the boundary between flora and fauna, such as a fungus that resembles flesh, or a shell that takes on the appearance of a human ear.

Shapes floating in an ocean of blue
Shapes floating in an ocean of blue [Cat: 29/9999, Shapes on a blue background, 10 x 8″ / 25 x 20 cm, Chalk on cardboard, 2017]

Seasons

#everchangingseasons – the continual cycle

Seasons is part of a series of works inspired by nature. While they provide life-long sources of interest, these subjects ultimately form the basis of my abstract paintings which are both hard-edged and yet fluid in appearance. Seasons looks closely at the continual cycle of birth, growth, maturity and death.

Gunnera shoots rise up
Gunnera shoots rise up from a mass of last season’s debris in this study [Cat: 0327, Seasons study # 04, 16 x 20″ / 40 x 50 cm, Acrylic on canvas board, 2016]

tableaux of dreams

This is one of my very long-term projects which is far from being completed, as I have not yet understood sufficiently what it is about. I have completed over 100 drawings with an accompanying 10,000 word text.

Illustration to text from the novella 'Chocolate Spelt Chokolate'
Illustration to text from the novella ‘Chocolate Spelt Chokolate’ [Cat: 0635, Chokolate (Late) Teatime, 10 x 8″ / 25 x 20 cm, Digital Drawing, 2017]
I do not feel any compunction to force it to a conclusion because, as with all my projects, it will be done when it’s done.