UPDATES

Experimenting with Turner

#learningfromthemasters – exploring techniques

Picasso is reported to have said that good artists borrow from other artists and great artists steal. You can certainly see Picasso putting this into practice in some of his paintings.

 Artists throughout history have learnt their trade by meticulously copying the great painters under the critical eye of their masters. This is not something I would have excelled at as I find it very difficult to copy, but I do like to explore techniques based on other artists’ work – this does not make me a great artist.

Disused Lighthouse
Experimenting with watercolour [Cat: 9999, Disused Lighthouse, 5 x 7″ / 13 x 18 cm, Watercolour on board, 2008]

War Graphics

#symbolsofdefiance – sources of strength

People today still paint (or tattoo) their bodies to make them more resilient and stronger, a practice going back in time to the origins of mankind. Most commonly used in situations of confrontation, ‘marks’ made on the body, and later on weapons and shields, gave the wearer additional power and protection.

Similar in a way to ‘Relics and Reliquaries’ and ‘Fingertip power,’ my fascination is in understanding of what these marks, signs and symbols really mean and where their power comes from.

375th Bomber Squadron insignia
My interpretation of the 375th Bomber Squadron insignia [Cat: 0167, War graphics # 03, 12 x 12” / 30 x 30 cm, Silkscreen Print, 1972]
My interpretation of the Minesweeper Group insignia
My interpretation of the Minesweeper Group insignia [Cat: 0166, War graphics # 02, 12 x 12” / 30 x 30 cm, Silkscreen Print, 1972]
4th US Armoured Division insignia
My interpretation of the 4th US Armoured Division insignia [Cat: 0165, War graphics # 01, 12 x 12” / 30 x 30 cm, Silkscreen Print, 1972]

Fra Fillipo Lippi ‘Annunciation of the Virgin”

#annuciation – heralding the future

Paintings of the early Renaissance have always held a fascination for me. While the colours and artistry are brilliant, it is the compositions that hold my attention. The scenes are deliberately posed in a way prescient of photography, but photography with a difference where the perspective and scale can be manipulated to carefully compose the scene.

In this project I am attempting to visualise the way in which the scene is constructed outside the frame imposed by the artist – in other words, what it is that they did not want us to see.

Annunciation of the Virgin
Prototype re-creation of Fra Fillipo Lippi ‘Annunciation of the Virgin” [Cat: 20/9999, Untitled, / 5312 x 2988 pixel, 3D Digital, 20012]

The Curse of the Pharaohs

#labyrinthsofthemind – games within games

Games, especially those played on the sports field as well as those played on boards or screens, have their roots in battles, epic struggles and arduous journeys. Games are also about memory and we can, rather surprisingly, remember games played in our childhood. It is this aspect of games that I find most interesting.

I am currently working on a game with strong elements of childhood recollections that aims to stimulate memories stored deep in the mind, wondering if life is not just another game being played out on a bigger board.

Graphics from The Curse of the Pharaohs
Graphics from The Curse of the Pharaohs, a 2D adventure game in the early stages of production [Cat: 0000, The Curse of the Pharaohs, / 1280 x 720 pixel, Unity, 2010]

The Circle Line

#perpetualmotion – endless cycles

South Kensington Station
South Kensington Station

London’s underground train network, better known as The Tube, is an amalgamation of several different railway companies incorporated into a unified body under public ownership in the 1930s. The identities of the constituent companies are still very evident today in the style of stations, the names of the lines and the construction of the tunnels. One of those lines, the Circle Line, was unique in that until it was broken in 2009 it ran as its name suggests in a circle.

circle-line-old-mapAn early map of the Circle Line with the initials of various railway companies

I became fascinated by the idea of a journey without a beginning or an end when I frequently used the line during my student days, often commencing my journeys at South Kensington after leaving the Snake Pit (a public house in the station) and riding round in a full circle before heading off home.

Currently I am transferring the photographs I took at the time and used in a slide projector audio-visual piece to a web friendly video format