UPDATES

14th century hill top town in Campania

# ancientstructures – spiritual presence

The roots of this ancient town reach down into the Palaeolithic age and its sleepy atmosphere helps time stand still. Perched on a hilltop overlooking the sea in the Cilento region of southern Italy, the small town is centred around the Angel’s Castle, built in the 12th century by the abbot Saint Costabile Gentilcore, who gave the place its name – from the latin ’Castrum abbatis’, ‘the castle of the abbot’. An ancient bell still tolls on the quarter hour, which, together with the chirping of birds, provides the only disturbance to the peace in this enchanting place.

Several strands come together in Castellabate; the geometry of its alleys, archways, openings and steps lead on to abstract manifestations in other works. Stairs and steps are always an enticing subject for me, not knowing who or what might be above or below, and in the case of Castellabate they suggest the possibility of an encounter with a medieval poet, a toga-clad Roman, or a Neolithic hunter returning home. The spiritual presence of countless generations stretching back to the dawn of civilisation is a rich ingredient in this mythological mix, which forms the inspiration behind my work here.

hillside town has a maze of alleyways
This lovely hillside town has a maze of alleyways that invite explorers [Cat: 0075, Castellabate Alley # 2, 12 x 16” / 30 x 40 cm, Watercolour on board, 2000]

Green Spain

#journeythroughlandscape – romance of loneliness

The rocky northern coastal region of the Iberian Peninsula and the Basque people who live there create an atmosphere that is a blend of both European and Asiatic. Known in the UK as ‘Green Spain’ thanks to its cooler, wetter climate and tree-covered mountain ranges, it is an intriguing area. The Basque culture’s mysterious roots, the ruggedness of the coastline and the beckoning Atlantic wilderness all feed the imagination.

Travelling through the region’s mountainous Picos de Europa national park a few years ago, I was captivated by its remoteness and beauty. Villages are few and far between, so the feeling of space and mental freedom are amplified. The spectacular landscape would encourage any artist to attempt to capture both its beauty and the romance of loneliness that emanates from an all-pervading mist that hangs in the valleys throughout the day. Snow-capped peaks rise into the clouds in mid-summer, and cattle roam freely on the lush pasture. Ramshackle shepherds’ huts and barns litter the landscape, making perfect subjects for study.

Playa De Amio
Rocks, sand, sea and sky [Cat: 22/06, Playa De Amio, 12 x 16” / 30 x 40 cm, Watercolour on board, 2016]

clashing colours, complementary after- glows

#seeinginthedark – sensations of spatial awareness

Can we see with our eyes closed? We can see perfectly clearly in our dreams and even when we are awake with our eyes closed, we get the sense of the space around us. It has been suggested that sensitive areas of our cheeks can generate a sensation of spatial awareness through a number of sensors.

If we can feel what we can see, can we believe what we see? The work of M C Escher has a wide appeal and fascinates graphic artist as do the ticks of visual illusion, Ponzo’s rail track illusion, silhouettes of two faces that could be a vase and Kanizsa’s triangle.

Both the static and the digital visual experiments work with the visual effects of clashing colours, the halos they produce and the after images.

Room # 01
Original artwork rendered in 3D [Cat: 21/9999, Room # 01, 16 x 20″ / 40 x 50 cm, Gouache on board, 1968]