I love books and I enjoy nothing more than creating an Artist’s Book. These pages were created using silk-screen, collage, pen, and ink. The book binding and box making is an integral part of my creative process.
1960s
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Mobile home, Central London
1960s
I love books and I enjoy nothing more than creating an Artist’s Book. These pages were created using silk-screen, collage, pen, and ink. The book binding and box making is an integral part of my creative process.
current
The sketchbook is more than just a tool to me, it has been a life saver, I always findtime to doodle in my sketchbooks however busy I am.
‘White Darkness’, animation by the amazing Yair Harel
Leaves, a watercolour by John Ruskin
1970s
I travelled a great deal as a young artist and rarely had access to a studio, so for me drawing became an essential tool for the exploration and development of my art.
Cooperstown Lake, Woodstock
All that I know
‘She decided to make him again, just as he had appeared to her in the dream, from the soft terracotta clay; ephemeral, ghostlike, dressed as a woman’
1968
Not everything in an artist’s sketchbook is beautifully rendered; it is however important to show the process and keep a good record of thoughts and ideas, even in their early stages of development. This ‘blue’ sketchbook charts the evolution of my Abstract Landscapes series.
