UPDATES

All that I know

‘It would be true to say she thought about the things she had suffered silently for him; it would be equally true to say that he tried to give her his whole life’

All that I know

‘The dark, square-shaped room was cold; the salt-glazed brick and cream-painted door appeared strangely hostile compared to the soft, bruised body lying there’

All that I know

‘The front door opened half an inch and the landing light cast a narrow beam onto the sleeping figures; it was just possible to see the shape of a man by the door’

All that I know

‘He wore a dark green overall that matched his Wellington boots: he was still not sure where his actions would lead or what the consequences might be’

1970s

I travelled a great deal as a young artist and rarely had access to a studio, so for me drawing became an essential tool for the exploration and development of my art.

1960s

I love books and I enjoy nothing more than creating an Artist’s Book. These pages were created using silk-screen, collage, pen, and ink. The book binding and box making is an integral part of my creative process.

current

The sketchbook is more than just a tool to me, it has been a life saver, I always findtime to doodle in my sketchbooks however busy I am.

1968

Not everything in an artist’s sketchbook is beautifully rendered; it is however important to show the process and keep a good record of thoughts and ideas, even in their early stages of development. This ‘blue’ sketchbook charts the evolution of my Abstract Landscapes series.