This is Little Hugh’s grave in Lincoln Cathedral, which relates to a very unsavoury tale of anti-Semitism. The stone has been smoothed by the thousands of hands that have caressed it over the past 600 years, and discoloured by the grease of those hands, lending it its unusual colour and texture.
Smoothed by the thousands of hands [Cat: (01) ALL THAT GLITTERS 20]
With dreams of fortunes and fool’s gold, dynamic crystalline geometries both reflective and translucent, rocks provide a fascinating subject to study. Holding a piece of rock is akin to holding the earth’s history in your hands, and it can be imagined as a whole mountain range in miniature. I find it very difficult to describe rocks visually. They hold a fascination for me, and I regularly seek out examples of other artists’ work for inspiration.
Two sketches of rocks on a hillside in the Aegean region of Turkey made in 2009 for a larger painting when I have decided the direction to take. [Cat: 506 Rocks in shade, 2009, Acrylic on board, 297 x 420 mm] [Cat: 506 Rocks in sunlight, 2009, Acrylic on board, 297 x 420 mm]Rocks is part of a series of works inspired by nature. While they provide life-long sources of interest, these subjects ultimately form the basis of my abstract paintings which are both hard-edged and yet fluid in appearance. Rocks tells the story of the earth’s origins through their faceted shapes and multiple forms, from tiny gemstones to imposing granite rock faces.
Early thoughts about an abstract direction, 2009. [Cat: 722 Flat Rocks, 2009, Digital, 400 x 400 mm]This is the idea that I am currently working on which will be visualised in 3D, 2013. [Cat: 723 Rock Block, 2013, Digital, 250 x 400mm]
Rock study 01
Rock study 02
Rock study 03
Rock study 04
Rock study 05
Rock study 06
Rock study 07
Rock study 08
Rock study 09
Rock study 10
Rock study 11
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