00 – 10 PROJECT GROUP

Shingle washed together

#naturalforms – fluid sculpture

Natural forms, this project covers a wide area with the common theme of flowing lines. These can be found in the delicate contours of a body, the arch of a tree bough and in a stone sculpted on the seashore. Natural forms are created by growth, decay, erosion, and all the forces of wind rain and sun.

However, these shapes are formed by nature and not by the hand of man and so they have our admiration for their satisfying subtlety, beauty and fluidity.

Shingle washed together
Shingle washed together resembling a cluster of cells [Cat: 0340, East Dean beach white blank, 8 x 8″ / 20 x 20 cm, Acrylic on canvass board, 2017]

Testing colourways

#naturalforms – fluid sculpture 10

Using the digital palette, I can try out various colourway on screen, while this could be done with the physical paint, this method gives me the freedom to try many more combinations.

This example is using an image from the Bridge series [Cat: 07 NATURAL FORMS 020]

Quick research 08

#capturingalikeness – observation and perception 08

Walking round the National Gallery while thinking about my portrait project, I snapped these close-ups of paintings I liked, selecting them for their range of styles and treatments. Live models would have been used by the artists in all cases, but in some, only as a starting point.

Portrait of Susanna Lunden by Peter Paul Rubens [Cat: (05) CAPTURING A LIKENESS 014]

Quick research 07

#capturingalikeness – observation and perception 07

Walking round the National Gallery while thinking about my portrait project, I snapped these close-ups of paintings I liked, selecting them for their range of styles and treatments. Live models would have been used by the artists in all cases, but in some, only as a starting point.

Women’s heads: Detail, The Way to Calvary by Jacopo Bassano [Cat: (05) CAPTURING A LIKENESS 008]

Quick research 06

#capturingalikeness – observation and perception 06

Walking round the National Gallery while thinking about my portrait project, I snapped these close-ups of paintings I liked, selecting them for their range of styles and treatments. Live models would have been used by the artists in all cases, but in some, only as a starting point.

Hand details – Portrait of Johan de Reus by Nicolas Maes [Cat: (05) CAPTURING A LIKENESS 009]

Quick research 05

#capturingalikeness – observation and perception 05

Walking round the National Gallery while thinking about my portrait project, I snapped these close-ups of paintings I liked, selecting them for their range of styles and treatments. Live models would have been used by the artists in all cases, but in some, only as a starting point.

Portrait of Johan de Reus by Nicolas Maes [Cat: (05) CAPTURING A LIKENESS 013]

Quick research 04

#capturingalikeness – observation and perception 04

Walking round the National Gallery while thinking about my portrait project, I snapped these close-ups of paintings I liked, selecting them for their range of styles and treatments. Live models would have been used by the artists in all cases, but in some, only as a starting point.

Portrait of Johan de Reus by Nicolas Maes [Cat: (05) CAPTURING A LIKENESS 011]

Quick research 03

#capturingalikeness – observation and perception 03

Walking round the National Gallery while thinking about my portrait project, I snapped these close-ups of paintings I liked, selecting them for their range of styles and treatments. Live models would have been used by the artists in all cases, but in some, only as a starting point.

Portrait of young man in black hat: Detail, Jan Vermeer [Cat: (05) CAPTURING A LIKENESS 015]

Quick research 02

#capturingalikeness – observation and perception 02

Walking round the National Gallery while thinking about my portrait project, I snapped these close-ups of paintings I liked, selecting them for their range of styles and treatments. Live models would have been used by the artists in all cases, but in some, only as a starting point.

Man in red hat playing flute: Detail, The Concert by Hendrick ter Brugghen [Cat: (05) CAPTURING A LIKENESS 016]