Author: PT
Peter Town is a born storyteller, gifted with an ability to translate both everyday quirks and deeper philosophical musing through his work. Often using strong lines, striking colours and symbolism in his pictures, Town has built a vibrant portfolio.
Born in Bethnal Green, he grew up in Liverpool and was later educated at Bath Academy of Art and the Royal College of Art. Taking advantage of his ability to communicate ideas visually, he went on to enjoy a successful career as a designer while he continued to paint and develop his artistic style through drawing, painting, photography, and printmaking.
While many of Town’s paintings use strong shapes and primary colours, such as the Stairscapes series, others are quieter and more contemplative, representing a more tranquil inner space.
His Abstracts series features works where the narrative is more ambiguous but ever-present. He sees landscapes, interior spaces and natural forms as abstract shapes and colours, transcribing these in his unique style onto paper and canvas.
Strength and beauty
#ancientstructures – spiritual presence 02
This vaulted ceilings in the Chapter House is a testament to the skill and ingenuity of the stone masons, unhindered by what we would consider to be crude tools today. They combine beauty and strength, quite deliberately, to produce these magnificent forms that have stood firm for over a thousand years.
Unmistakably William Blake
Quick research 08
#capturingalikeness – observation and perception 08
Walking round the National Gallery while thinking about my portrait project, I snapped these close-ups of paintings I liked, selecting them for their range of styles and treatments. Live models would have been used by the artists in all cases, but in some, only as a starting point.
Quick research 07
#capturingalikeness – observation and perception 07
Walking round the National Gallery while thinking about my portrait project, I snapped these close-ups of paintings I liked, selecting them for their range of styles and treatments. Live models would have been used by the artists in all cases, but in some, only as a starting point.
Fish market, Syracuse, Sicily
A detail from Frank Bowling’s painting
Dutch 1930s Travel Poster
Quick research 06
#capturingalikeness – observation and perception 06
Walking round the National Gallery while thinking about my portrait project, I snapped these close-ups of paintings I liked, selecting them for their range of styles and treatments. Live models would have been used by the artists in all cases, but in some, only as a starting point.