Paintings of the early Renaissance have always held a fascination for me. While the colours and artistry are brilliant, it is the compositions that hold my attention. The scenes are deliberately posed in a way prescient of photography, but photography with a difference where the perspective and scale can be manipulated to carefully compose the scene.
In this project I am attempting to visualise the way in which the scene is constructed outside the frame imposed by the artist – in other words, what it is that they did not want us to see.
Peter Town is a born storyteller, gifted with an ability to translate both everyday quirks and deeper philosophical musing through his work. Often using strong lines, striking colours and symbolism in his pictures, Town has built a vibrant portfolio.
Born in Bethnal Green, he grew up in Liverpool and was later educated at Bath Academy of Art and the Royal College of Art. Taking advantage of his ability to communicate ideas visually, he went on to enjoy a successful career as a designer while he continued to paint and develop his artistic style through drawing, painting, photography, and printmaking.
While many of Town’s paintings use strong shapes and primary colours, such as the Stairscapes series, others are quieter and more contemplative, representing a more tranquil inner space.
His Abstracts series features works where the narrative is more ambiguous but ever-present. He sees landscapes, interior spaces and natural forms as abstract shapes and colours, transcribing these in his unique style onto paper and canvas.