Peter Town is a born storyteller, gifted with an ability to translate both everyday quirks and deeper philosophical musing through his work. Often using strong lines, striking colours and symbolism in his pictures, Town has built a vibrant portfolio.
Born in Bethnal Green, he grew up in Liverpool and was later educated at Bath Academy of Art and the Royal College of Art. Taking advantage of his ability to communicate ideas visually, he went on to enjoy a successful career as a designer while he continued to paint and develop his artistic style through drawing, painting, photography, and printmaking.
While many of Town’s paintings use strong shapes and primary colours, such as the Stairscapes series, others are quieter and more contemplative, representing a more tranquil inner space.
His Abstracts series features works where the narrative is more ambiguous but ever-present. He sees landscapes, interior spaces and natural forms as abstract shapes and colours, transcribing these in his unique style onto paper and canvas.
Seasons is part of a series of works inspired by nature. While they provide life-long sources of interest, these subjects ultimately form the basis of my abstract paintings which are both hard-edged and yet fluid in appearance. Seasons looks closely at the continual cycle of birth, growth, maturity and death.
This is one of my very long-term projects which is far from being completed, as I have not yet understood sufficiently what it is about. I have completed over 100 drawings with an accompanying 10,000 word text.
I do not feel any compunction to force it to a conclusion because, as with all my projects, it will be done when it’s done.
Cycladic fertility figures are fascinatingly androgynous compared with the Venus of Willendorf and more familiar depictions of fertility by early artists, but they are no less appealing in form and they catch the attention of museum goers.
After fuelling my own fascination with drawings and models, I now want to bring them alive in a 3D animation to explore how they would move, speak, and what personality characteristics would suit their intriguing body shapes.
To talk about man’s relationship with nature (the environment) is a good place to start understanding how we react with what surrounds us. We are as much a part of ‘nature’ as a bee gathering pollen or a frilled shark grazing on the ocean floor.
The four paintings in the East Dean Quartet explore themes of birth, discovery, power and fate.
The portrait is the real test of an artist’s skills, and even if an artist never tackles the subject it will always be there before them as a challenge, so why not tackle it head on?
Portraits by artists from Rembrandt to Saville are among our greatest works of art; the observation and perception of character goes beyond mere paint on canvas. The ultimate test – the self-portrait.
#adifferenttruth – the unintelligible understandable
As there is no culture without mythology, then it is easy to think of cultures as myths re-enacted in the present day. What is often so surprising about myths is that they have little or no basis in fact, they are there simply to make the unintelligible understandable, adding to an individual’s sense of identity.
With this in mind, I reinterpret myths for my own ends in drawings and paintings to serve the same purpose – to make life intelligible.
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