Author: PT

Peter Town is a born storyteller, gifted with an ability to translate both everyday quirks and deeper philosophical musing through his work. Often using strong lines, striking colours and symbolism in his pictures, Town has built a vibrant portfolio.

Born in Bethnal Green, he grew up in Liverpool and was later educated at Bath Academy of Art and the Royal College of Art. Taking advantage of his ability to communicate ideas visually, he went on to enjoy a successful career as a designer while he continued to paint and develop his artistic style through drawing, painting, photography, and printmaking.

While many of Town’s paintings use strong shapes and primary colours, such as the Stairscapes series, others are quieter and more contemplative, representing a more tranquil inner space.

His Abstracts series features works where the narrative is more ambiguous but ever-present. He sees landscapes, interior spaces and natural forms as abstract shapes and colours, transcribing these in his unique style onto paper and canvas.

earthy inhabitants, deep rooted

#faithfortified – deep rooted belief

Four subjects caught my eye in this charming Italian mountain village, the red tower, the terraced houses, a church door and the castle – to have four suitable subjects in one place was too good an opportunity to miss.

Each painting focuses on a different aspect of this remote fortified village; the red tower speaks of its pride and achievement, the terraced houses of its earthy inhabitants, the church of its deep rooted faith and the castle of its strength when facing adversity.

Red Tower di Frontone
Red Tower di Frontone: A striking red tower with a clock face at each aspect stands as a beacon of permanence and familiarity – July 2011 – 40 x 30 cm / 16″ x 12″ [Cat:742]
Castello di Frontone
Castello di Frontone: An imposing Castello at the entrance to the village, long since redundant but still giving comfort to residents – July 2011 – 40 x 30 cm / 16″ x 12″ [Cat:739]
Church Door di Frontone
Church Door di Frontone: A sturdy church door, impregnable at first sight, reveals on closer inspection a little bicycle plank on its steps – July 2011 – 40 x 30 cm / 16″ x 12″ [Cat:740]

the frontier of civilisations

#ancientcicilisations – traces of the past

Sicily is both the past and the future. Its history of continual immigration, invasion and assimilation provides a portal onto the future, while its past is so complicated that it is difficult to separate fact from fiction.

The largest of the Mediterranean islands, and strategically placed for both trade and military purposes, Sicily has been ruled over the centuries by, amongst others, the Vandals, the Romans, the Normans, the Byzantines, the Spanish, the Hapsburgs and the Bourbons. It was finally brought under the control of a unified Italy in 1860, although – typically – it was granted special status as an autonomous region in 1946.

Bass
Still life study [Cat: 0061B, Bass, 5 x 7″ / 13 x 18 cm, Watercolour on paper, 2015]
 Mediterranean islands have layer upon layer of history that mingles with the present, and for an artist this provides fertile territory. Nowhere more so than in Sicily where evidence of its troubled past is all around. In my paintings, I was attempting to capture this sense of ‘otherness’ – of the outsider, fighting for survival and independence.

Sicilian Lemons
Still life study [Cat: 0061A, Sicilian Lemons, 5 x 7″ / 13 x 18 cm, Watercolour on paper, 2015]

a paradise of green and blue

#seperateidentities -otherness

Over many centuries, the Cornish people have travelled the world, spreading their mining and seafaring skills, but that has done little to diminish the region’s association in our minds with mythical kings, pirates, smugglers and romance. From the legends of King Arthur to tales of shipwrecks and bounty hunting, and from its close links with Brittany to its peculiarly Celtic brand of Christianity, this narrow peninsula at the southwest tip of the British Isles retains an ‘otherness’ that its people are fiercely keen to protect, and that gives it its unique appeal to artists like me.

 A tension is created where the land meets the sea. There is a clear border between two worlds, sometimes softened and blurred by light and calm, while at others broiling waters dash against the shoreline. Cornwall makes a fascinating subject for artists, because it is both an ancient landscape and an extremity – a destination, not a thoroughfare. Away from the picturesque fishing villages and sweeping beaches, there is a dramatic interior of moorland and hidden valleys that provide endless opportunities for me to capture its magic.

Cornwall Stream
Pure, clean colours of Cornwall [Cat: 0287, Cornwall Stream, 12 x 16” / 30 x 40 cm, Watercolour on board, 2003]
Trees in a watery landscape
Trees in a watery landscape [Cat: 0271, Cornwall Landscape with three trees, 12 x 16” / 30 x 40 cm, Watercolour on board, 2003]